A strong sonic identity makes a brand unforgettable. I’ve composed soundtracks and sonic branding for ALDI, Louis Vuitton, Opel, Hello Bank, and De Slimste Mens Ter Wereld, balancing emotional storytelling with a polished, contemporary sound. In 2023, I also composed a 12-minute original score for VGP’s corporate film, creating an immersive musical narrative made up of distinct songs, each tailored to a different tone.

Music brings theatre to life, shaping emotion in real time. I’ve composed for productions such as Het Paashuis (Fabrique Fantastique) and Dickens Dagen (Stad Bilzen-Hoeselt), each with its own distinct atmosphere and energy. For Melody of Murder (The Movie Theatre Company), a theatrical whodunit, I contributed two original disco-infused songs to drive the narrative. In La Femme Fatale, a fully orchestrated musical, the score took on a more classical, dramatic tone — always serving the emotion on stage.

I create immersive soundscapes for festivals and award shows, balancing cinematic storytelling with high-energy moments. My work has shaped the MIA’s, Us By Night, Creative Belgium Awards, and Supernova, crafting music that enhances both live and promotional experiences.

My compositions have featured on Iedereen Beroemd, where both my solo piano work and Goudzoeker tracks were used, as well as in VOLT and De 5 voor 12 Show. I’ve also created original music for Archeoloog Arthur (de Klifhangers).
Beyond television, I’ve scored independent short films such as Carnyx (WWI-themed, analog synth soundtrack) and Deus Ex Machina (gothic horror, full orchestral score), exploring a broad range of sonic textures and narrative styles.

Outside of commissioned work, I explore my own sonic identity through my solo piano compositions, which focus on expressive, evocative melodies, and through Goudzoeker, a hardware-driven synth project merging analog warmth with cinematic storytelling.

Music and storytelling come together in interactive audio productions and story walks, designed to be fully integrated with their surroundings. Each experience merges narration, cinematic scoring, and environmental sounds, transforming urban and natural landscapes into immersive sonic journeys.

Beyond composing, I also work as a voice actor and performer.
Voice-over credits include the radio trailer for Het Paashuis (Fabrique Fantastique), narrator roles in productions by Dansstudio Crescendo, Dansstudio Cadans, and and original audio walk by Stad Bree’s — as well as the role of Dad in an episode of the children’s series Dropje (Ketnet).

On stage, I’ve performed in productions such as Dickens Dagen 2019 (as host of the evening) and Dickens Dagen 2023 (as Mayor Hauben — sung and spoken). Other theatre roles include Mr. Bumble in Oliver! (Samaritan Musical Productions) and Olivier Dubois in La Femme Fatale (De Showmaekers).

I’ve also written and directed original plays for youth theatre. A new musical production is currently in development.

Over the years I’ve been involved in a number of personal and collaborative music projects — explorations of sound and identity outside the scoring world:

MODEK – electro (house) with a dancefloor instinct

MELLOW – guitar-driven alt-pop layered with analog synths and textures

WAY BACK – evocative, synth-infused indie house